After a renovation by the leather-clad architect Peter Marino that debuted final April, fifty eight pieces that he selected by major artists — many of them blue, or silver, or each — now fill the 84-year-old constructing. A color-shifting James Turrell oval is embedded in a wall near one set of elevator doors. Hanging by another is a shiny Damien Hirst cabinet full of rows of cubic zirconia. Hovering subsequent to the engagement rings is considered one of Anish Kapoor’s eye-bending mirrored discs.
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